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PSP.Audioware.PSP.84.VST.DX.RTAS.v1.5
PSP 84 is a high-quality processor, capable of producing a wide variety of delay-based effects. Two independent delay lines operating with variable sampling rate and precise tape saturation algorithm with adjustable gain, allow for convincingly sounding simulation of tape delay, including all the exciting effects resulting from tape speed instability. A filtration section consisting of three 2nd order switchable resonant filter types can be used to process input, feedback or wet signal. The adjustable slope of the filter ranges from a gentle curve, which is useful for simulating high frequency absorption typical for tape delay and wet signal equalization to an extremely steep curve with a high cutoff frequency peak, making all the wild wah-wah and resonance effects easily available. Delay line sampling rate and filter cutoff can be modulated by any of the 5 LFO waveforms that are automatically synchronized to the sequencer tempo or envelope follower with adjustable sensitivity and attack/release. Moreover, the PSP 84 contains the fully functional reverb unit, with simplified settings carefully tuned to exactly reproduce the sound of classic spring and plate reverberators
Dash.Signature.EVE2
EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from the 1960’s and 1970’s
In this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’.
Not only were keyboards a part of this revolution in popular music, but the use of effects and recording techniques for layering, blending and manipulating sounds transformed the way music was produced and conceptualized: Tape based delay lines, rotating speaker cabinets, guitar distortion pedals, wah wah, phasing, flanging and other effects became an integral part of the process of sound design
Crysonic newB Aural Acoustics Based Bass Enhancer VST
Based on 'Aural Acoustic' principals newB is a bass enhancer and
maximizer VST plug-in that can be used to apply from subtle to
extreme bass enhancement and generation during Mastering, Mixing,
Tracking and Live performance. newB increases the perceived amount
of bass by adding / mixing specific sub-harmonic ******* from the
original bass, thereby allowing our brains to hear lower-
frequencies than may exist in the original audio material.
The newB process conceptually enhances the bass performance of
high and low quality consumer speaker systems ranging from Hi-fi
to multimedia speakers found in products such as laptops
Crysonic.SpectraPhy.v1.0.VST
Spectra'Phy™ -is the first Mastering grade look-ahead brickwall limiter of it's type to utilize the principals of mechanical physics for Audio processing. The innovative approach represents a paradigm shift in the way these types of DSP effects have been designed to date. The unique method employed easily allows the mastering engineer to achieve maximum perceived "loudness" transparently without ever getting overshoots (Digital-over's) with minimum audible distortion. The characteristics of the final audio can quickly be adjusted to taste, be it analog or digital with only two rotary-dials. The drive / color dial component also allows the addition of analog saturation when "running hot", this can naturally be disabled if not required. Spectraphy has been designed for ease of use and efficiency in mind without sacrificing creative freedom
CrySonic.SPECTRA-Q.VST.v1.0
SPECTRA 'Q™ Forte is to enhance specific areas of an instrument's or any audio materials frequency range. Improving overall balance of the harmonic presentation of music, instrument or vocals contributes significantly to it's clarity and richness. Coupling this ability is the inclusion of a vintage inspired EQ, novel transparent loudness maximization with smooth peak limiting and 4-band low-frequency phase tweaking in one package.
The comprehensive feature set of SPECTRA 'Q™ is intended and designed to empower audio professionals in the field of mastering and mixing music productions achieve great commercial release quality results quickly and easily. The scope and uniqueness of SPECTRA 'Q™ opens a myriad of possible uses not only in the mastering and mixing stages alone but also during live applications, enhancing vocals, guitar, keyboard, Virtual instrument recordings, AMP simulation, exciter, enhancer, vitalizer type effects
Crysonic.SpectraLive.VST.v2.0
SPECTRALIVE V2.0™ The first VST to utilize our spectral vitality process SPECTRALIVE V2.0™ is "the" definitive secret weapon for attaining that professional "commercial" sound. The Spectralive™ process is a novel and proprietary approach for imparting Vitality and warmth to all your audio material
Master, Mix, Track your music on an even playing field regardless of your monitor speakers setup or quality
Waves SS 4000 VST DX RTAS.v1.1
Developed under license from Solid State Logic, The Waves SSL 4000 Collection includes three meticulously modeled plug-ins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Master Buss Compressor, and the SSL G-Equalizer
Waves engineers spent more than a year analyzing and modeling the distinctive sonic characteristics of SL 4000 factory reference consoles and components provided by Solid State Logic. These plug-ins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference
Steinberg WaveLab v5.01b
WaveLab 5 is the only all-in-one solution for high resolution stereo and multi-channel audio editing, mastering, CD/DVD burning and for complete CD or DVD Audio production in outstanding audio quality. WaveLab is not just a top level mastering tool, it also offers capabilities for multimedia, sound design with samplers, radio broadcasts, and computer telephony applications. This is why WaveLab is the leading application for digital audio editing
Reason tools
Propellerheads Refill Packer v3.0
Propellerheads Refill Viewer
Propellerheads Reload v1
Celemony.Melodyne.Studio.Edition.v3.1.2.0
Melodyne is currently a stand-alone application PC and its purpose in life is to analyse audio minutely and then process it such that almost everything about it can be altered at will. It can shift the pitch of monophonic audio without changing duration, change duration or tempo with or without changing pitch, and manipulate formants to alter voice or instrument character or to improve the character of shifted audio. It allows you to create harmonies from one vocal, or indeed construct whole new melodies, as well as making vocals and instruments do things they couldn't normally do. It can force audio of different tempos to run at one tempo, quantise audio timing, correct pitching errors across an entire track or one note at a time, superimpose pitch information from one melody onto another without affecting lyrics, alter amplitude, edit transitions between notes, and even alter vibrato. While it usually requires monophonic audio, it works on drum and percussion loops and will also process strummed guitar. Sounds impressive?
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